Artistically the transition from 3-dimensional clay to 2-dimensional wax felt quite natural to the artist. It gave her the option to dig, scratch, and sculpt the surface as she had done in clay. Mel is fascinated with influence; whether it be the layers of human experience or the influence of natures elements on material objects. Mels’ surface give hints to what may be happening underneath; to entice the viewer to draw in closer. The sheerness of each layer of wax gives the surface a similar illumination to clay glazes.

Mel's work, both clay and paintings, are in numerous private and corporate collections nationwide. Her clay has been published with numerous accolades, while her painting career is quickly receiving equal attention. Her encaustic work is soon to be published in the upcoming book “100 Midwest Artists”.